French Quarter Fest is easily my favorite festival of the year, which is saying something since we have hundreds of them. With over 20 stages playing indigenous music and 60 local food booths, the festival employs over 1,700 local musicians playing genres from funk, R&B and jazz to rock, gospel and Zydeco. The over 1,500 volunteers and various local companies handling sanitation, security, stages, sound, etc. and more insure that all of the money spent producing the festival remains within the local economy.
I was working on a TV show Thursday so I missed the first day of festivities – which really hurt when I saw the tailor-made-for-me music line up. We started Friday with the Soul Rebels. The fun and funky brass band Continue reading
Celebrating Louis Armstrong’s birthday, Satchmo Summerfest kicked off with a sometimes rainy Friday lineup of live music on multiple stages and food. Tents offered shade from the sun and shelter from the showers. Inside the air conditioned Old U.S. Mint, people enjoyed symposiums on Armstrong and related topics.
The day started with The Roots of Music parading down Esplanade. Continue reading
I arrived early for my Jazz Fest book signing and started the day with Glen David Andrews in the Blues Tent. The tents are known for crowds who enjoy sitting in the shade and resting but Andrews got everyone on their feet, hands in the air. His soulful rendition of When Doves Cry turned out to be the best musical performance of the entire day.
The Soul Rebels had everyone dancing at the Congo Square stage. We all put our hands up as numbers for 504, a song celebrating our beloved area code. Continue reading
As usual, it was hot-as-heck for Satchmo Fest but the music and food were worth the sweat. Celebrating the life and contributions of Louis Armstrong, the festival moved to Jackson Square this year. Like last year, they charged a $5 admission – a move that still has its kinks (like local employees and neighbors can’t just walk in to grab a plate or a cocktail). The festival featured 2 stages with one focusing more on traditional jazz and the main stage offering a few more-modern takes on Satchmo’s sound. Continue reading