Usually, Fat Tuesday – Mardi Gras in French – splits the city into parade-goers and costumers. Parade-goers attend the Krewe of Zulu and Krewe of Rex parades, with diehards staying for the long procession of truck parades – all of which were cancelled for COVID. We’re costumers so though alcohol sales were forbidden in the French Quarter, and our day started at 28 degrees, we masked up and masqued up and ventured out. Continue reading
Tag Archives: costumes
Fat Tuesday – Mardi Gras in French – splits the city into parade-goers and costumers. Parade-goers attend the Krewe of Zulu and Krewe of Rex parades. Diehards stay for the long procession of truck parades – basic floats with no bands or dancers.
We’re costumers. Fat Tuesday ties with the Mardi Gras Indians’ Super Sunday for my favorite day for photos. Continue reading →
After 3 parades Friday night, Saturday was a 5-parade day starting with the Krewe of Pontchartrain. The weather couldn’t have been more glorious for parading – 65, crisp and sunny – which made for thick crowds along St.Charles. The Big Easy Rollergirls led the way for school bands, dancers, baton twirlers, pom girls and plenty of floats. Tulane University’s band dazzled with lofty high-kicks. Continue reading →
Mardi Gras (French for Fat Tuesday) splits the city into 2 main groups – parade-goers and costumers. The Krewe of Zulu starts the day of parades, followed by regal Krewe of Rex, then a long procession of truck parades – just floats, no bands or dancers.
We’re costumers so we headed to the Marigny to dive into the wackiness. There were group costumes including many clusters of Ruth Bader Ginsburgs. Trump wall interpretations were also popular. There were even 2 last suppers. The most popular costume was a blind referee or anything related to penalty flags. Continue reading →
Mardi Gras (Fat Tuesday in French) effectively splits the city into 2 groups – parade-goers and costumers. The fabulous and feathered Krewe of Zulu starts the parades with an early morning roll across the city. We caught the beginning floats, but closer to the end of the route when they’d already been going for hours. Spike Lee handed out beads as did an entire float of Saints.
We’re costumers so we left early and headed into the French Quarter so my husband could become a wrestling taco. Continue reading →
We’ve heard it a lot in the last few days – this was the best Carnival (Mardi Gras season) in years. In fairness, a lot of it had to do with the extraordinarily wonderful weather. After the 50 degree rain-soaked Krewe of Cleopatra parade, most days were 70-80 and sunny with breezes. This year, I danced in 3 parades with the Pussyfooters. We were excited to debut our super-hero-inspired capes and signature pink corsets at the Cleopatra parade but mostly ended up covered in dripping-wet plastic sacks. That said, the crowds kept us inspired. Carnival parades are like a perpetual motion machine. The paraders bring energy to the crowds and the crowds bring energy to the paraders.
Though routines are set, each year I get to do new things at Mardi Gras and have new experiences. Continue reading →
Every year, just as the rest of the nation is winding down after the 1-2-3 punch of Thanksgiving-Christmas/Hanukkah-New Year’s, we in New Orleans are just getting started. The festivities begin on Twelfth Night with the Phunny Phorty Phellows riding the streetcar down St. Charles, heralding the start of Carnival season. The night is also Joan of Arc’s birthday which is celebrated with a parade through the French Quarter. Though not everyone attends events that day, most offices (and many homes) commemorate the season with King Cake. In the last few years, King Cake has become the focus of parties with people bringing cakes from their favorite bakeries and sampling them all.
In our home, Twelfth Night’s passing means turning the Saints’ Who Dat wreath into a Mardi Gras wreath and switching the tree decorations from Christmas to Carnival. Continue reading →
I was delighted to attend the opening of Carl Mack’s Mardi Gras Museum of Costumes & Culture this weekend. It was the perfect way to kick off the first day of Carnival, especially since they had plenty of King Cake on hand. The walls displayed vibrant photos, mostly by Carlos Gonzalez, celebrating the year-round costuming culture of New Orleans. There were even a couple of photos from our wedding in a display book. I especially enjoyed when the photos were placed next to the actual costumes they captured.
The fancifully displayed costumes are the real stars of the show. The majority come from the personal collection of Carl Mack Continue reading →
The Krewe of Boo parade gets bigger and better every year. “Chief Spookster” Brian Kern adds a “greener” point of view to his family legacy with locally-made throws and food items like Pralinettes from Aunt Sally’s, Chee Wees from Elmer’s Fine Foods and PJ’s Coffee packs. This year’s parade featured king Morten Andersen, legendary kicker for the Saints, and queen Trixie Minx, local burlesque diva. Their floats led a procession of 14 separated by brass bands like Soul Brass Band, marching bands from local schools like Renew Cultural Academy and 30 carnival marching groups including Tap Dat, Camel Toe Lady Steppers, Sirens, Krewe Des Fleurs, Skinz’n’Bonez and the Pussyfooters! Continue reading →
Between Mardi Gras Indians’ Super Sunday, Congo Square Festival, the Class Got Brass battle of the bands, the Pelicans game and the live filming of Tyler Perry’s The Passion, they was plenty to do today but, for once, the choice was easy. The Indians’ elaborately hand-beaded and feathered suits, weighing up to 150 pounds, costing $3000 or more and taking up to a year to design, construct and bead are the most beautiful suits in the world. (For more about the history and traditions of the Indians, click HERE). The parade opened with the Hot 8 Brass Band and the Lady Buck Jumpers then became a stream of rich plumes and intricately beaded stories of the soul. Continue reading →